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The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement. ==Description== The Alleluia chant of the first movement has been confused with the principal melodic line in the finale of Mozart's Symphony No. 41 in C major.〔Peter Brown, "Eighteenth-Century Traditions and Mozart's "Jupiter" Symphony K.551" ''The Journal of Musicology'' 20 2 (2003): 187, footnote 65.〕 Mozart did use this Alleluia chant melody for his Alleluia Canon, K. 533, written shortly after he completed his C major symphony.〔HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 1, Haydn: the Early Years, 1732-1765〕 The work is scored for flute, two oboes, bassoon, two horns, trumpets, timpani,〔H. C. Robbins Landon, ''The Symphonies of Joseph Haydn''. London: Universal Edition & Rockliff (1955): 661. "Pts. for 2 clarini (trpts.) and timp. possibly authentic (as yet no copies of these pts. have been found."〕 and strings with continuo. The use of timpani in this symphony remains an unresolved matter. In his cycle, for example, Antal Dorati omits them.〔Hodgson (1976): 58, footnote.〕 Several more recent performances, however, have included timpani.〔Dominy Clemens: (CD Review ) ''Music Web International''〕 The work is in three movements: #Allegro, 4/4 #Andante, 2/4 in G major #Tempo di Menuet, più tosto allegro, 3/4 The Alleluia motif dominates the first movement. It's the first theme; the second theme is also derived from it and it's also included in the closing material of the exposition. In the development, after the first theme is restated, the first three notes of the motif (do-re-mi) are repeated seven times at different pitch levels against sixteenth-note accompaniment.〔Brown, A. Peter, ''The Symphonic Repertoire'' (Volume 2). Indiana University Press (ISBN 025333487X), pp. 96 (2002).〕 The second movement contains numerous solo concertante passages for the flute.〔Daniel Heartz, Haydn, Mozart, and the Viennese School, 1740-1780, Norton 1995 ISBN 0-393-03712-6, ISBN 978-0-393-03712-8〕 The rare choice of the dominant key for a second movement (subdominant was more common in Haydn) was likely because G major was a favorable key for the flute.〔 Another Haydn symphonic movement which contains the solo flute to an even greater degree is 24/ii. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Symphony No. 30 (Haydn)」の詳細全文を読む スポンサード リンク
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